It’s a Pipe

I went to a reception for a new(-ish) exhibit with the Culture Programs of the National Academy of Sciences. The exhibit are paintings by Jonathan Feldschuh that are inspired by the Large Hadron Collider. The paintings are acrylic on mylar, and they are quite gorgeous. While I’m sure my art-knowledgable friends will correct my terminology, to me, they look like impressionists paintings of very high-tech subjects. I love impressionism art, and of course, I love technology, so I really like these paintings. My friends R, J, and I were discussing this one painting that R and I both rather liked. I said I really like the way the perspective of the pipe or wires going off into the tunnel. I questioned whether it was a pipe or a bundle of wires. This is the conversation that ensued.

R: It’s not a pipe. It’s where the collisions occur.

Me: It’s a pipe then.

R: No, it’s not solid.

Me: Pipes aren’t solid.

R: Yes, but it’s different.

J: It’s more high tech.

Me: It’s a pipe.

R: There aren’t fluids flowing through it. It’s particles flowing through it and colliding.

Me: It’s still a pipe.

R: It’s not a pipe because the particles are in a vacuum.

Me: It’s a pipe. Those things at banks where the little container at the drive through is pushed through a pipe is pushed through a vacuum. It’s still a pipe.

R: [sighs] Ok, it’s a pipe.

It should be noted that according the CERN website, “The beams travel in opposite directions in separate beam pipes – two tubes kept at ultrahigh vacuum.” Thus, it’s a pipe. However, in R’s defense, I have a B.S. in chemical engineering, so everything is pretty much a pipe or a tank to me. Also, everything can be fixed with a hammer, but that is another story.

Istanbul Archaeological Museums

The Istanbul Archaeological Museum was undergoing renovation when we went, so I don’t think we saw all the different exhibits they have. It also was that part of the time I was there I felt like I was walking through a rat maze. In any event, it has some really nice exhibits. However my favorite part was actually the Tiled Kiosk next door. I find the name amusing because when I hear kiosk, I think of a little booth in the mall with someone trying to sell cell phone accessories or some pillow that is going to solve all my health problems. The Tiled Kiosk is pretty though and has walls covered with tile, stained glass windows, and other art.

Tiled Kiosk entrance

Tiled Kiosk entrance

Basin in Tiled Kiosk

Basin in Tiled Kiosk

Tiled Kiosk alcove

Tiled Kiosk alcove

Tiled Kiosk wall

Tiled Kiosk wall

Stained glass window of Tiled Kiosk

Stained glass window of Tiled Kiosk

Mosaic

Mosaic

Stone inserts in carved column

Stone inserts in carved column

Greece: Icon Workshop

Today, we visited an icon workshop. They make all the icons by hand, and they showed us all the many steps involved. First, they start with blocks of wood, the type of wood depending on the icon.

Wood base

Wood base

The wood is hand carved.

Hand carved wood

Hand carved wood

If the icon will have metal on it, the metal is then shaped into the desired form.

Silver plate

Silver plate

All painting is done on canvas, so the canvas is then stretched.

Stretching the canvas

Stretching the canvas

The foil is then added.

Supplies including foil and brush for foil

Supplies including foil and brush for foil

Bright powder pigments are used for the paint, and duck egg and vinegar are other ingredients.

Powder pigments

Powder pigments

Powder pigments

Powder pigments

The icon is then hand painted.

Hand painting

Hand painting

An example of a beautiful final product.

Finished icon

Finished icon

Rebecca Kamen: Fundamental Forces

Currently on display at the National Academy of Sciences is Fundamental Forces by Rebecca Kamen. Fundamental Forces is an exhibition of paintings and sculptures inspired  the process of scientific discovery. The title Fundamental Forces refers to fundamental forces in physics: gravity, electromagnetism, and strong and weak nuclear interactions, and in my opinion, the exhibit really does provide a lovely representation of those fundamental forces. I loved the wire sculptures in particular as they were visually interesting  and also looked like things I had studied in chemistry and physics class. Matter Informing Space reminds me of the Bohr model of the atom. The Doppler Effect is an interesting visualization of the Doppler effect, but it also reminds me of a vortex and the Coriolis effect. The sculptures also play with the light in wonderful ways. The shadows created by the wire sculptures and also Portal are incredibly interesting. If you are in the DC area, the exhibit is open until July 6, and it is free to see, so go.

Doppler Effect

Doppler Effect

Doppler Effect

Doppler Effect

Wave Ride for Albert

Wave Ride for Albert

Wave Ride for Albert

Wave Ride for Albert

Cosmos: For Carl

Cosmos: For Carl

Cosmos: For Carl

Cosmos: For Carl

Matter Informing Space

Matter Informing Space

Matter Informing Space

Matter Informing Space

Matter Informing Space

Matter Informing Space

Portal

Portal

Portal

Portal

Portal

Portal

Sky DIary

Sky Diary

Magic Circle of Circles

Magic Circle of Circles

Matrix 1

Matrix 1

Collapse

One of the exhibits, we visited during Cultural Programs of the Natural Academy of Sciences’s #NAS_sciart was Brandon Ballengée: Collapse. Collapse is a huge pyramid of specimen jars that contain species from the Gulf of Mexico that are in decline due to the 2010 BP Deepwater Horizon oil spill. It was interesting to be able to see numerous species up close, even if preserved, that I normally would never see. However, it was sad to think that all these species are in decline or at least affected by the Deepwater Horizon oil spill.

Collapse

Collapse

Collapse

Collapse

Crabs

Crabs

Flouder

Flouder

Giant sea roach

Giant sea roach

Octopus

Octopus

Shells

Shells

Fish

Fish

Turtle

Turtle

Void

I went to an Instameet at the National Academy of Sciences today, where we toured two art exhibits and also the building. One of the exhibits we toured was Imagining Deep Time, and one of the pieces of art in that exhibit is Chul Hyun Ahn’s Void. I have seen this exhibit before, and no matter how many times I see Void, it still freaks me out. It just does. The piece is made of cast acrylic, LED lights, hardware, and mirrors, and while it physically has a size of 90 x 71 1⁄2 x 12 1⁄4 inches, it looks like a tunnel that goes on forever. The photos I have posted below simply do not do it justice. I am very impressed by how the artist was able to create the vision effect, but when I stand in front of it, I keep waiting for Dr. Who, Spock, or some other science fiction character to come walking through the tunnel. I guess it kind of scares me. Yes, I am a wimp. A piece of art that is just lights, mirrors, and acrylic scares me.

Side note: The photo of Void with JD Talasek, the curator of Imagining Deep Time, in front of it, is the only photo posted below that I took with my iPhone. The rest of the photos I took with my Canon 6D. I note this because I find it interesting how the two cameras captured the light differently. The only manipulation I performed on my photos was cropping and some straightening.

A view of the whole of Void

A view of the whole of Void

JD Talasek, the curator of Imagining Deep Time, stands in front of Void

JD Talasek, the curator of Imagining Deep Time, stands in front of Void

The "floor" formed by Void

The “floor” formed by Void

Edge of Void, where the visual effect hits reality

Edge of Void, where the visual effect hits reality

A selfie in Void

A selfie in Void

Bergen Sign Shop

Collection of old signs on the shop's wall

Collection of old signs on the shop’s wall

I recently had a chance to tour New York City’s MTA’s Bergen Sign Shop. The Bergen Sign Shop is where all the signs for MTA’s subways are made and possibly a few other signs. The wonderful employees came in on a Saturday so that they could take two tour groups, from the New York Transit Museum, through the shop and show us how they make the signs. It was really neat to see and also interesting to hear how things have changed from the way things used to be made. Computers are now used for much of the process where as like many things, they used to have to be done by hand. Some of the signs they make are made like many of us make signs with regular ink jet printers, although they have massive printers with the biggest ink cartridges I have ever seen.

Safety first signs being printed in bulk. As an engineer, I particularly enjoyed seeing this.

Safety first signs being printed in bulk. As an engineer, I particularly enjoyed seeing this.

All the “buttons”, the colored circles with the subway line letter or number, are printed on rolls of colored vinyl with adhesive backing. The line’s letter or number is then printed in black or white. A machine also cuts the circle into the vinyl, so employees just have to remove the excess from around the circles.

Rolls of vinyl in various colors ready for the printer. C line buttons being printed.

Rolls of vinyl in various colors ready for the printer. C line buttons being printed.

Drawer full of ready to go buttons. The buttons are made in 7 standard sizes.

Drawer full of ready to go buttons. The buttons are made in 7 standard sizes.

They have another machine that just does detailed cutting of vinyl rolls. Once the vinyl has been cut, the excess is removed, and letters, numbers, and symbols are left in place. The letters are already spaced properly like they would be from a printer and are then transferred as a unit by an employee to a sign.

Roll of vinyl leaving the cutter.

Roll of vinyl leaving the cutter.

The below, very short video is a series of photographs of an employee showing how he transfers the cut letters to a sign. The method he uses keeps all the letters spaced properly as they were spaced by the computer. The letters are transferred from the vinyl roll to transfer paper then to the sign.

Once the letters, buttons, etc. are on the sign, the sign is then laminated. It is later sent to the tin shop to be applied to a metal frame.

Sign being laminated

Sign being laminated

There is another machine that engraves signs and also applies to plastic beads to make braille signs.

Engraving machine

Engraving machine

Temporary location sign with Braille.

Temporary location sign with Braille.

In a separate room, they make frosted glass signs by applying a template and coating the glass with uv-activated substance. Ultraviolet light is then applied, and anything not covered by the template will be frosted.

Glass placed into machine where a vacuum will be applied and then it will be treated under ultraviolet light

Glass placed into machine where a vacuum will be applied and then it will be treated under ultraviolet light

Sign about to be treated under ultraviolet light

Sign about to be treated under ultraviolet light

Sign being treated under ultraviolet light

Sign being treated under ultraviolet light

Glass after being treated with uv light

Glass after being treated with uv light

In the back, they had the finished signs stacked up ready to be installed. They also had a supply of generic signs used in various places.

Spare generic signs stacked in storage

Spare generic signs stacked in storage

Finished signs ready to be installed

Finished signs ready to be installed

It was a really fun tour, and it was really neat to learn how the signs are made. Thanks to the New Your Transmit Museum and MTA employees for allowing us to take this tour and showing us how they do everything!

Sackler: Yarn Bombed and Perspectives

The Sackler Gallery of the Smithsonian Institute was yarn bombed to celebrate the opening of Perspectives: Chiharu Shiota. I actually liked the yarn bombing more, but I am not a person you should ever consult about art. Both the yarn bombing and Perspectives clearly took a great deal of time and work to complete. Perspectives was interesting and thought provoking. It featured shoes tied to string, and the strings were then tied together. Most of the shoes featured notes written by the people who donated them as to why the shoe was important to them. Some of the notes can be read on the Sackler Gallery’s website. The yarn bombing was just awesomely fun and decorative.

Perspectives: Chiharu Shiota

Perspectives: Chiharu Shiota

Perspectives: Chiharu Shiota

Perspectives: Chiharu Shiota

Perspectives: Chiharu Shiota

Perspectives: Chiharu Shiota

Perspectives: Chiharu Shiota

Perspectives: Chiharu Shiota

Gallery entrance yarn bombed

Gallery entrance yarn bombed

Yarn banner above entrance

Yarn banner above entrance

Gallery entrance column yarn bombed

Gallery entrance column yarn bombed

Gallery entrance column yarn bombed

Gallery entrance column yarn bombed

Entrance gate yarn bombed

Entrance gate yarn bombed

Entrance gate yarn bombed

Entrance gate yarn bombed

Entrance gate yarn bombed

Entrance gate yarn bombed

Lamppost yarn bombed

Lamppost yarn bombed

Lamppost yarn bombed

Lamppost yarn bombed

Lawn hook yarn bombed

Lawn hook yarn bombed

Big Maze

I went with some friends to see the Big Maze at the National Building Museum this weekend. The maze is giant, square, wood and plywood structure that is highest at the outer corners, about 18 feet. The walls then slope downward towards the center. Like any good maze, there are all these twists, turns, and dead ends. There is one incredibly long dead end, but most of the turns are much shorter. The maze also has an incredible effect of turning everyone, ok me, into a five year old upon entering. It is really fun to go through it.

The structure is also interesting as placed inside the museum. The museum’s structure is what I would call a classical, somewhat Roman design. It kind of felt like the maze was in the Coliseum, and Roman spectators should be standing on the second and third floor watching gladiators go through the maze. Perhaps I just have a weird imagination.

View from 3rd floor

View from 3rd floor

View from 3rd floor

View from 3rd floor

View from 2nd floor

View from 2nd floor

View from 2nd floor

View from 2nd floor

Maze pattern as seen from above

Maze pattern as seen from above

Maze pattern as seen from above

Maze pattern as seen from above

View from middle of maze

View from middle of maze

Burlington Uniqueness

I have already written how nice a town Burlington, Vermont is and how much I love its colorful houses. I just had to add one more post with a few photos of some of fun, arty, and unique things that I saw there that help to make it a cute town.

First, on Church Street, there is this water fountain which is probably one of the most unique and beautiful public water fountains that I have ever seen.

Water fountain on Church Street

Water fountain on Church Street

Then there is this box on Church Street where you can put donations for the less fortunate, and it is of course designed to look like Champ, the famous monster of Lake Champlain.

Donation box that looks like a very cute Champ

Donation box that looks like a very cute Champ

Then there are these paintings on a commercial building that are by far the best way to incorporate electrical boxes into the exterior design of a building that I have ever seen.

Paintings on and around electrical/telephone boxes

Paintings on and around electrical/telephone boxes

Best use of an electric meter in a painting

Best use of an electric meter in a painting

Then finally there is this sign that I spotted several copies of on Church Street. I have no idea if the second part is actually written into the Burlington ordinance, but it would be awesome if it was.

Dog ordinance sign

Dog ordinance sign